PRAXIS journal
Entry 00001 / The First cohort meeting
On Sunday, July 17th, we held the first virtual meeting for the MFA 22 Cohort. Susie Quillinan, the director lead the event.
Each member of the cohort introduced themselves and their research and artistic practice. There is a wide variety in mediums and artistic practices.
Quotes
"practice is what grants us our authority, deepening our practice through the use of theory"
"you know things through doing."
Quick Notes:
Susie's primary practice is curatorial
Phadar - Dreams From Exile/political and spiritual intersections between Israel and Palestine
Ann, painter, Seattle, Analog Color in A Post Digital World - exploring color as a tool of community building through a zine.
Heidi, experimental, Canada
Renee - activate spaces using history to participate/ facilitate / watch
Vanessa Lustig - how can you reap the benefits of nature without being in nature.
Sophia - embodied practice / somatics / as a being on Abewaki land
Caden - Queer Strategy of Embodiedment
Renee - Painter/ Comparative analysis of dreams Freudian vs Renee's ability
Crit Groups
We will be divided into smaller groups: two groups of four, one group of three.
We must meet once a month to give and receive feedback. A part of the feedback practice is to indicate what level and type of feedback you expect and are open to receiving.
The work must be shared by Wednesday. Feedback is expected by Sunday.
Research Clusters
Look into research clusters to participate in:
RESEARCH CLUSTER #22: ARTISTIC CITIZENSHIP:THE ENTANGLEMENT BETWEEN ARTISTIC PRACTICE AND SOCIAL,CIVIC, POLITICAL, AND ECOLOGICAL SYSTEMS
PROPOSED AND LED BY ANDREW FREIBAND, ERIN WILKERSON, JAKE TKACZYK, TINE FRICH MOLLER, KAREN AMI, MARIE FRANCE FORCIER, NANCY MESSEGEE, EVE CHARTRAND
Discussion Groups
Sharing reflections, ideas and thoughts on Praxis and methodology development and how to approach methodology (syntethizing literature) with regard to praxis based PhDs. challenges everyone is facing in their work with regard to how we conceptualise and frame our research down to the nuts and bolts of things.
Proposed by Tine Frich Moller, Tine Frich Moller, Karen Ami
Look into Film Critique group
Notes
Entangled state of practice - many practices and experiences, traditional and outsider formats, the multiplicity of of the dynamics....
genealogy of your practice?
:::read:::
imagined futures: fictional expectations and capitalist dynamics - jens beckert
homo prospectus - martin p. seligman
the system of objects - jean baudrillard
:::watch:::
The Seasons in Quincy, 2016, Prolific artist, philosopher, writer, storyteller and "radical humanist" John Berger is the focus of this vivid four-part cinematic portrait. In 1973, he moved from urban London to the tiny Alpine village of Quincy. THE SEASONS IN QUINCY: FOUR PORTRAITS OF JOHN BERGER examines different aspects of Berger's life in this remote village in the Alps.
Entry 00002 / Brainstorming for the next work
08/09/2022
::: LOOK:::
Arthur Jafa - Found Images / Compilation of images / Curation practices
Simone Leigh - Sovereignty
https://www.icaboston.org/simone-leigh-sovereignty
https://simoneleighvenice2022.org/sovereignty/
https://www.thisiscolossal.com/2022/05/simone-leigh-sovereignty/
Barbara Kruger - advertising imagery
:::READ:::
Glitch Feminism - Legacy Russell
Photography and Belief - David Levi Strauss
:::QUESTIONS:::
is democracy sustainability ?
internet culture - social media: how people relate and communicate
memes as tool of communication
alex jones - mainstreaming of disinformation
:::IMPORTANT PIECES:::
IMPACT ASSESSMENT PLAN
ARTIST STATEMENT
Entry 00003 / Broken WINDOWs Theory for broken hearts: For JOnathan eburne
08/15/2022
WORKING TITLE: Broken Windows Theory for Broken Hearts: For Jonathan Eburne
A Performance / Video Installation by Theodore A. Harris in collaboration with Kahlil I. Pedizisai
Manifesto in progress from Broken Windows Theory for Broken Hearts: For Jonathan P. Eburne
Theodore A. Harris Archives - ASAP/J (asapjournal.com)
Peering out from your “broken windows theory” we witnessed whiteness weaponized, invading the U.S. The Capitol Building like dangerous little tikes breaching a Bouncy House, aggressive paper boys and girls hustling fake news. Those anti-intellectual, formalist-hawks, gouged out the eyes of “blue lives matter” lobbyists, as they hopscotched in the chalk outlines of our vaccinated blood-yellin’, lying lungs barking “I CAN’T BREATHE!” from their maskless-gargoyle faces and the more they bounced the more hot air and blood spilled from the inflation tube of deflated consciousness…
- Theodore A. Harris
Bouncy house for the participants of the Capital Insurrection.
:::LOOK:::
Howardena Pindel: Video Drawings